A Nagual’s dream ~ The Warrior’s Journey – The quest for knowledge leading into the heart of the unknown. A visual and auditory landscape – a dedication to all those who faithfully follow the path with heart without rushing or faltering.
The most demanding aspect of the teachings of Don Juan Matus, is in regard to the duality of the warrior; how is it possible to reconcile the two halves of our double nature that comprise the whole.
Our dual nature is at best both an advantage and something of a burden… it can inhibit our actions and cloud our judgement at times.
The balancing of the two sides of our being is the answer to this dilemma.
Don Juan makes it clear that all that remains of the Toltec teachings is in a sense ‘stalking’ and its counterpart ‘dreaming’.
“Stalkers deal with people, with the world of ordinary affairs. Stalkers are the practitioners of controlled folly as the dreamers are the practitioners of dreaming. Controlled folly is the basis for stalking, as dreams are the basis for dreaming. Generally speaking, a warrior’s greatest accomplishment in the second attention is dreaming, and in the first attention his greatest accomplishment is stalking. In the absence of self-importance, a warrior’s only way of dealing with the social milieu is in terms of controlled folly.”
A warrior follows the rule of the stalkers. The Rule applies to everyone but the stalker takes it on as the only means of buffering the onslaughts of power that come in the pursuit of knowledge. The rule is that a warrior has essentially given up the concerns of his everyday life in the pursuit of knowledge. He is only interested in unravelling the mysteries of the universe. He must come to the understanding that this mystery is infinite, and as such this is a hopeless task but he must proceed anyway. In doing so the warrior becomes a part of the mystery themselves – everything within his universe becomes equal unimportant and as to nothing. This principle is the Rule of stalkers.
Don Juan lays out the principles for the warrior in regard to stalking:
- To choose the battlefield
- To discard everything which is unnecessary
- To choose your battles with care
- To relax, abandon yourself and to fear nothing
- When faced with odds that cannot be dealt with, warriors retreat for a moment
- A warrior compresses time – making every moment count, aiming at success and ready to make his last stand at any moment
- A stalker never Pushes himself to the front – this last principle can only be applied with the implementation of the former six principles
The application of these principles results in three things:-
“The first is that stalkers learn never to take themselves seriously; they learn to laugh at themselves. If they’re not afraid of being a fool, they can fool anyone. The second is that stalkers learn to have endless patience. Stalkers are never in a hurry; they never fret. And the third is that stalkers learn to have an endless capacity to improvise.”
Don Juan also outlined the mood for stalking this being:- Ruthlessness, Cunning, Patience and Sweetness. This is the guiding attitude a warrior needs to adopt to stalk effectively.
One of the principle tools of stalking is recapitulation. This comprises the stalkers ‘sweeping breath’, the purpose of which is to free the warrior from the bonds of energetic filaments that become attached to them though energetic exchanges. The breath itself gives the life-giving healing force needed to purge the luminous being.
The aim of a stalker is to lose human form. This is can be achieved through a powerful recapitulation followed by implementation of the not-doings of the self such as erasing personal history, losing self-importance and breaking of routines.
The stalker is the epitome of a warrior in this way is both light and fluid. Free of human form the stalker is also unpredictable, deliberate in action, patient, not concerned about being understood nor concerned about the self-reflection of others – but instead this state allows the individual to be light-hearted and jovial and they truly enjoy their lives.
Dreaming is built on the premise that there is something called the ‘double’ or the ‘other’ and this is a replica of the warrior themselves. The important aspect of this concept is in being able to comprehend such idea. ‘Will’ is how the dreaming double is accessed and channelled and through ‘Will’ the dreaming double can become anything. The knowledge of this opens us to the concept that what we are in fact is an energetic configuration of energy fields or indeed as Don Juan called it ~ the luminous being.
The aim of the dreamer is to find themselves in dreaming. He achieves this with a simple manoeuvre; this is to find the hands in dreaming – which is to look down at the hands while asleep and to realize the dream state. The dreamer also hopes to actually see themselves dreaming. In this instant it is important to avoid the shock of experiencing such a thing. As with all things in dreaming the dreamer takes nonchalantly whatever he sees. The way anything is achieved in dreaming is through the volition of the dreamer. Once the dreamer has found their hands they next attempt to find a location within dreaming and with practice this can then be found in the waking experience.
There are as in all things various stages within dreaming. Don Juan sited these as:
- “Restful vigil is the preliminary state, a state in which the senses become dormant and yet one is aware.”
- “The second state is dynamic vigil. In this state one is left looking at a scene, a tableau of sorts, which is static. One sees a three-dimensional picture, a frozen bit of something – a landscape, a street, a house, a person, a face, anything.”
- “The third state is passive witnessing. In it the dreamer is no longer viewing a frozen bit of the world but is observing, eye witnessing, an event as it occurs. It is as if the primacy of the visual and auditory senses makes this state of dreaming mainly an affair of the eyes and ears.”
- “The fourth state is the one in which you are drawn to act. In it one is compelled to enterprise, to take steps, to make the most of one’s time. This state is called dynamic initiative.”
Quote from “The Eageles Gift”
As with all aspects of Don Juan’s teachings “stopping the internal dialogue” through the process of Not-doing is a vital component of dreaming. Dreaming requires then a quickened mind and the energy saved from talking to oneself allows one to dream.
Don Juan states also:
“The best way to enter into dreaming is to concentrate on the area just at the tip of the sternum, at the top of the belly. The attention needed for dreaming stems from that area. The energy needed in order to move and to seek in dreaming stems from the area an inch or two below the belly button. That energy is the will, or the power to select, to assemble. In a woman both the attention and the energy for dreaming originate from the womb.”
What one seeks in dreaming is not what one would pay attention to in everyday life. The shift into dreaming is achieved by anchoring the double to the second attention that being the attention of the nagual, The assemblage point makes a natural shift into this left side of awareness when one sleeps. The trick being to store attention in dreaming ~ this is to become totally immersed in the dream to the extent that one is totally detached from the waking experience.
There are seven gates of dreaming that must be crossed for the dreamer to gain mastery over their dreaming.
- The first gate of dreaming is to gain control of ones attention in dreaming. The easiest way of doing this is through finding the hands in dreaming, this anchors the double in the second attention.
- The second gate of dreaming is to learn how to wake up in the dream into yet another dream – enabling the dreamer to change dreaming locations entirely.
- The third gate of dreaming is reached when you find yourself staring at someone in a dream and that someone turns out to be you. There are two stages to this gate. The first stage, is to arrive at the gate; the second is to cross it. By dreaming that you see yourself asleep, you arrive at the third gate. The second phase is to move around once you’ve seen yourself asleep.
- The fourth gate of dreaming involves learning to use the energy body as a means of travel. This then be used to travel to “firstly concrete places in this world; two, to travel to concrete places out of this world; and, three, to travel to places that exist only in the intent of others.”
- The Fifth gate of dreaming is to be able to bring out the dreaming double in everyday life.
- The sixth is to be able to transport the physical body to another location entirely
- And the seventh is to be able to transcend the world entirely and to step beyond this world with the totality of oneself.
It takes years to master the arts of stalking and dreaming – it requires perseverance and only then comes about by practicing the disciplines that Don Juan prescribed. I have found that remembering direction is a key element. Not only in terms of a long perspective but on the basis of moment to moment orientation (in all planes of being simultaneously). Balancing ourselves and the forces in our world is also of prime importance. Understanding the relativistic and dualistic nature of reality. And coming to an understanding that nothing essentially matters except perhaps the rule. Once we set out on this path there really is little alternative – when one begins to comprehend the knowledge it cannot then be unlearned, only expanded upon. One may run away but this is not the path with heart and ultimately you will have to pay for this. Understanding the concepts of control folly and controlled abandonment is key. In regard to stalking controlled folly is our shield and guards us against the rigors of power. Control abandonment Don Juan describes as being something simple and ‘there being nothing to it’. But controlled abandonment is in principle the art of sorcery specifically in the application of dreaming – the ability to acquiesce to the situation – to know how and in what proportion. We require both Controlled abandonment and controlled folly in both waking and dreaming – being able to give ourselves to the moment and in the same instance able to act to produce the best possible outcome. A life lived like a warrior is unsurpassed – one becomes the master of oneself – the ego being defeated along the way. But as Don Juan says this can only be achieved without either rushing or faltering. The abstract will be achieved in time if one holds firm to the path with heart. But in the end reaching the spirit means there are really no devices one can cling to, no object, and no person. We have in the final outcome the say over our lives – it is our decision.
I am already given to the power that rules my fate.
And I cling to nothing, so I will have nothing to defend.
I have no thoughts, so I will see.
I fear nothing, so I will remember myself.
Detached and at ease,
I will dart past the Eagle
To be free
- Dreaming and Stalking; Ways of Approach (aumparasamgate.wordpress.com)
The ancient Toltec seers of Mexico concerned themselves with irreducible fact derived by seeing the energetic flow that permeates the universe. This configuration of energy they referred to as the Eagle – the defining source of creation. Time they categorized as something like a thought, thought by something unimaginably large, while space they viewed as the abstract realm of activity… Perceiving the abstract as they did they also arrived at a third concept of cognitive thought they referred to as the Wheel of Time. These concepts were a means of categorizing and defining the vast unimaginable reality of everything that exists. The dark seas of awareness….
Excerpt from Journey to Ixtlan: Lessons of Don Juan by Carlos Castaneda
“What do you mean by my last dance don Juan?”
“This is the site of your last stand, ” he said. “You will; die here no matter where you are. Every warrior has a place to die. A place of his predilection which is soaked with unforgettable memories, where powerful events left their mark, a place where he has witnessed marvels, where secrets have been revealed to him, a place where he has stored his personal power.
“A warrior has the obligation to go back to that place of his predilection every time he taps power in order to store it there. He either goes there by means of walking or by means of dreaming.
“And finally, one day when his time on earth is up and he feels the tap of his death: on his left shoulder his spirit, which is always ready, flies to the place of his predilection and there the warrior dances to his death.
“Every warrior has a specific form, a specific posture of power, which he develops throughout his life. It is a sort of dance. A movement that he does under the influence of his personal power.
“If a dying warrior has limited power, his dance is short; if his power is grandiose, his dance is magnificent. But regardless of whether his power is small or magnificent, death must stop to witness his last stand on earth. Death cannot overtake the warrior who is recounting the toil of his life for the last time until he has finished his dance.”
Don Juan’s words made me shiver. The quietness, the twilight, the magnificent scenery, all seemed to have been placed there as props for the image of a warrior’s last dance of power.
“Can you teach me that dance even though I am not a warrior?” I asked.
“Any man that hunts power has to learn that dance, ” he said. “Yet I cannot teach you now. Soon you may have a worthy opponent and I will show you then the first movement of power. You must add the other movements yourself as you go on living. Every new one must be obtained during a struggle of power. So, properly speaking, the posture, the form of a warrior, is the story of his life, a dance that grows as he grows in personal power.”
“Does death really stop to see a warrior dance?”
“A warrior is only a man. A humble man. He cannot change the designs of his death. But his impeccable spirit, which has stored power after stupendous hardships, can certainly hold his death for a moment, a moment long enough to let him rejoice for the last time in recalling his power. We may say that is a gesture which death has with those who have an impeccable spirit.”
I experienced an overwhelming anxiety and I talked just to alleviate it. I asked him if he had known warriors that had died, and in what way their last dance had affected their dying.
“Cut it out, ” he said dryly. “Dying is a monumental affair. It is more than kicking your legs and becoming stiff.”
“Will I too dance to my death don Juan?”
“Certainly. You are hunting personal power even though you don’t live like a warrior yet. Today the sun gave you an omen. Your best production in your life’s work will be done towards the end of the day. Obviously you don’t like the youthful brilliancy of early light. Journeying in the morning doesn’t appeal to you. But your cup of tea is the dying sun, old yellowish, and mellow. You don’t like the heat, you like the glow.
“And thus you will dance to your death here, on this hilltop, at the end of the day.
And in your last dance you will tell of your struggle, of the battles you have won and of those you have lost; you will tell of your joys and bewilderment upon encountering personal power. Your dance will tell about the secrets and about the marvels you have stored. And your death will sit here and watch you.
“The dying sun will glow on you without burning, as it has done today. The wind will be soft and mellow and your hilltop will tremble. As you reach the end of your dance you will look at the sun, for you will never see it again in waking or in dreaming, and then your death will point to the south. To the vastness.